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In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war.

It's time for us to re-examine the past. Our lives are infinitely richer if we take the time to look at what the Greeks and Romans have given us in politics and law, religion and philosophy and education, and to learn how people really lived in Athens, Rome, Sparta and Alexandria. This is a book with a serious point to make but the author isn't simply a classicist but a comedian and broadcaster who has made television and radio documentaries about humour, education and Dorothy Parker. This is a book for us all.

Natalie Haynes returns to the world of Greek myth and this time she examines the role of the goddesses. We meet Athene, who sprang fully formed from her father’s head: goddess of war and wisdom, guardian of Athens. We run with Artemis, goddess of hunting and protector of young girls (apart from those she decides she wants as a sacrifice). Here is Aphrodite, goddess of sex and desire – there is no deity more determined and able to make you miserable if you annoy her. And then there’s the queen of all the Olympian gods: Hera, Zeus’s long-suffering wife.

Medusa is the only mortal in a family of gods. Growing up with her sisters, she quickly realises that she is the only one who gets older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know. When, in Athene’s temple, desire pushes Poseidon to commit the unforgivable, Medusa’s mortal life is changed forever. Athene, furious at the sacrilege committed, directs her revenge on Medusa. The punishment is that she is turned into a Gorgon: sharp teeth, snakes for hair and a gaze that will turn any living creature to stone.

A brand-new collection of short stories featuring the Queen of Crime’s legendary detective Jane Marple, penned by 12 remarkable best-selling and acclaimed authors. This collection of 12 original short stories, all featuring Jane Marple, will introduce the character to a whole new generation. Each author reimagines Agatha Christie’s Marple through their own unique perspective while staying true to the hallmarks of a traditional mystery.

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all.... In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.

After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as "The Unit," a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she's taken on and drowning in grief. Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her.

In The Children of Jocasta, Natalie Haynes retells the Oedipus and Antigone myths to reveal a new side of an ancient story.... My siblings and I have grown up in a cursed house, children of cursed parents.... Jocasta is just 15 when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be unless she outlives her strange, absent husband.

Una novela magistral sobre la guerra de Troya contada desde una perspectiva femenina. Desde las mujeres troyanas, cuyos destinos ahora están en manos de los griegos, hasta la princesa amazona que, en nombre de ellas, luchó contra Aquiles, pasando por Penélope, que espera el regreso de Ulises, o las tres diosas con cuya contienda empezó todo... Éstas son las fabulosas historias de unas mujeres envueltas en una guerra legendaria y marcadas por sus terribles secuelas.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

Een ontroerende en speelse hervertelling van het verhaal van Medusa. Natalie Haynes heeft als missie om nieuw licht te werpen op vrouwelijke personages in Griekse mythen. Medusa is de enige sterfelijke dochter in een familie van Gorgonen. Terwijl ze opgroeit met haar twee zussen beseft ze al snel dat zij de enige van het gezin is die ouder wordt, verandering ondergaat en kwetsbaar is. Wanneer de god en heerser van de zee, Poseidon, in Athenes heilige tempel een onvergeeflijke misdaad begaat, neemt de godin wraak op een onschuldige: Medusa.

Hekabe, Penthesilea, Andromache – Bestsellerautorin Natalie Haynes gibt Trojas Frauen eine Stimme. Alles ist so gekommen, wie sie es vorausgesagt hatten nur noch schlimmer! Troja brennt, der Krieg ist verloren. Warum hat Priam nicht auf die skeptischen Worte seiner Frau gehört? Denn während die Männer im Krieg ihr Leben verlieren, verlieren Hekabe, Polyxena und Andromache alles andere. Es gibt Angst, Wut und Schuldgefühle, doch die Frauen zeigen ihren Kummer nicht.

Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes. Divine Might is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin.

Medusa - Schwester, Opfer, Monster? Medusa wächst bei ihren Schwestern auf und merkt schnell, dass sie anders ist – eine Sterbliche in einer Familie von Göttern. Von ihrer Schönheit angezogen, bedrängt der Meeresgott Poseidon sie im Tempel der Athene. Die Göttin wähnt ihren Tempel entweiht und lässt ihre Wut an der Unschuldigen aus: Medusa wird in ein Monster mit Schlangenhaaren verwandelt, das kein Lebewesen mehr ansehen kann, ohne es zu Stein erstarren zu lassen. Aus Rücksicht verdammt Medusa sich zu einem Leben in der Einsamkeit.

Author, broadcaster and 'rock star classicist' Natalie Haynes is a little bit obsessive about Ancient Greece and Rome. In these four series, she explores some of the most prominent historical and mythological figures from the classical world, telling their stories through a mix of stand-up comedy and conversation.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Writer, broadcaster and recovering comedian Natalie Haynes mixes comedy and conversation to bring the ancient world entertainingly up to date in these four radio series. Each episode sees her profiling a key figure from ancient Greece and Rome, and, aided by her special guests, creating a stand-up show around them.